+ Add or change photo on IMDbPro . Joyce Martin Sanders is one third of the award-winning gospel trio, The Martins. I have in mind the period in American conservative and fundamentalist evangelicalism inaugurated by Richard Nixon's conjuring of the ", 1990 coincides roughly with the emergence of what would become the, Within southern gospel, "CCM" designates nearly all other forms of commercial Christian music deemed insufficiently pious or overly commercialized (marketed in ways different from southern gospel). Representative scholarly studies include Nancy Ammerman, Baptist Battles: Social Change and Religious Conflict in the Southern Baptist Convention (New Brunswick: Rutgers University Press, 2001); Susan Friend Harding, The Book of Jerry Falwell: Fundamentalist Politics and Language (Princeton: Princeton University Press, 2001); Darren Dochuk, From Bible Belt to Sunbelt: Plain-Folk Religion, Grassroots Politics, and the Rise of Evangelical Conservatism (New York: W.W. Norton, 2011); Mark Hulsether, Religion, Culture and Politics in the Twentieth Century United States (New York: Columbia University Press, 2007). "39Jennifer Lena, Banding Together: How Communities Create Genres in Popular Music (Princeton: Princeton University Press, 2012), 2. tippy('#footnote_plugin_tooltip_1524_1_39', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_39').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); My approach attends to southern gospel as a musical style,40Lower compositional sophistication, more uneven production quality, and rougher cuts by commercial standardsall defining features of the southern gospel sound of the past twenty yearscan function for many evangelicals and fundamentalists as indices of a more real music and catalysts for a more authentic experience of the religious self. For more on links between country and gospel, see Douglas Harrison, "Grace to Catch a Falling Soul: Country, Gospel, and Evangelical Populism in the Music of Dottie Rambo," in Walking the Line: Country Music Lyricists and the American Culture, edited by Roxanne Harde and Thomas Alan Holmes (Lanham: Rowman and Littlefield, 2013), 7796. . The siblings all lived most of their formative years in Arkansas, where they learned to sing and with which their comments in public indicate a strong identification. In 2013, the Doves moved back to Nashville, not to the Grand Ole Opry House but to the auditorium of a small religious college in the suburbs (Dave Paulson, "Dove Awards Fly Back to Nashville," USAToday.com, October 14, 2013, accessed January 28, 2014, http://www.usatoday.com/story/life/music/2013/10/14/dove-awards-nashville/2984327/). For faster navigation, this Iframe is preloading the Wikiwand page for The Martins. However, in light of the subsequent collapse of most of the southern gospel industry not affiliated with the Homecoming Series, Close Harmony offers an overly optimistic view of southern gospel prospects in the twenty-first century (283287). Joyce Martin is a well known gospel singer. Dochuk, Darren. Media releases promoting The Martins tout this diversity and eclecticism. The core of this essay began as a conference paper for the 2013 conference of the Society for American Music. Dayton offers an alternative account of "evangelicalism," emphasizing the rise of Pentecostalism and holiness traditions, which, as Jonathan Dodrill notes, "do not seem so bent to ward off liberalism." tippy('#footnote_plugin_tooltip_1524_1_55', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_55').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); That legacy of subsistence and pervasive poverty persists. Joyce Martin is married to Paul Michael Sanders, who has had periodic jobs as a southern gospel singer. Sharing her life with transparency is her passion. tippy('#footnote_plugin_tooltip_1524_1_20', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_20').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); In its early decades, CCM's creative and cultural home was Nashville and many performers and professionals still work there. Jonathan Martin lives in West Des Moines, Iowa with his wife, and their six children, including twin boys, one of which has cerebral palsy. Southern gospel has found itself in alliances with black gospel traditions and the black church. It is difficult to lend much credence to this account unless Gloria Gaither's opinion and judgment plays a much more determinative role in the Gaither image and Homecoming productions than is generally allowed or assumed. In the final decades of the twentieth century, these disagreements opened up a fault line between southern gospel and CCM, with each camp pursuing styles of music that implied divergent theories of musical evangelism. Joyce Martin Sanders is an American singer who, along with her siblings Jonathan Martin and Judy Martin Hess, is best known as a member of the Christian country trio The Martins. Indeed, specific aspects of a performer's biography usually only come into play for southern gospel when an instance of individual characteristics, crisis, or great fortune serve to point audiences toward notionally transcendent truths of fundamentalist theology. Stowe, David. tippy('#footnote_plugin_tooltip_1524_1_3', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_3').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The seven-shape notational system (and culture) of songwriting, singing, and music education that took root in the southern uplands in the late 1800s has heavily influenced the music of southern gospel and its values.4Here, following Loyal Jones, "Southern Uplands" designates the regions and people of trans-Appalachia and extends eastward into the Piedmont and westward to the Ozarks. tippy('#footnote_plugin_tooltip_1524_1_23', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_23').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Within commercial Christian music, most white fundamentalist fans and professionals left cold by CCMand committed to traditional modes of evangelistic outreachcoalesced around "southern" gospel. See Shearon, email to H-Southern Music Network mailing list, March 27, 2009. For more on The Martins's biography, see the following section and note 41. Harrison, Douglas. (Jennifer Jones, "Natalie Grant Responds after Leaving Grammys Early," Christianitytoday.com, January 29, 2014, accessed January 31, 2014, http://www.christiantoday.com/article/mass.wedding.at. Black gospel draws heavily on southern lifeways, many of its biggest stars have been from the South, and it has always found a good portion of its audience there. Joyce Martin Sanders is listed in the credits for the following albums: Year Artist Album Role ; 2013: Jason Crabb: Love Is Stronger: Guest Vocals : Joyce Martin Sanders. These longstanding conflicts precede the twentieth century. Bill never comes out into the foyer but Gloria does. After that we did a few Gaither dates, then [we] were signed to Spring Hill Records [a recording company in which Gaither Music had substantial holdings at the time]. The Arkansas imaginary has explanatory power for The Martins inasmuch as southern gospel music revoices and revalues the distortions and elisions of religious identity and cultural history central to the self-concept of many white fundamentalists and evangelicals. Their mix of rustic piety and sophisticated harmonizing (in The Best of video, much is made of their performance with the Homecoming Friends at Carnegie Hall) gives audiences powerful, palpable reassurance that despite shifts in taste, technology, and demographics of Christian entertainment during the past three decades, southern gospel music and values are thriving and persevering in the youthful artistry and rustic ethos of normatively white, middle class, evangelical traditionalism embodied in artists such as The Martins. Just as significantly, while From Kentucky With Love, or From the Smoky Mountains With Love, would probably be received with the same warmth and enthusiasm that greeted The Martins's music, the precise structure of a Kentucky imaginary or a Smoky Mountain imaginary would be located in the meaning-making of those places. The Best of the Martins, 2011. Joyce Martin-Sanders photos, including production stills, premiere photos and other event photos, publicity photos, behind-the-scenes, and more. The hottest acts in Christian music appropriated the musical conventions and performance styles of rock, pop, adult contemporary, heavy metal, and later, jazz, R&B, rap, hip-hop, and punk. My use of "evangelical" follows George Marsden's, denoting Protestant thought and action shaped by Reformed theology. Mae is her 18-year-old daughter. This essay is interested in how the imagining of a place shapes and is shaped by understandings of vernacular sacred music and the shifting identities this music contains. Mark Five, [no identifying number]. Any Arkansas setting becomes synonymous with the Ozark hillbilly. Nathaniel Crawford (Eugene: Wifp and Stock, 2011), 84. tippy('#footnote_plugin_tooltip_1524_1_22', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_22').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Southern gospel is overwhelmingly a product of evangelical fundamentalism. Nor is its cultural function exclusively or even primarily of scholarly interest for what it may tell us about southern whiteness in an ever more racially diverse and pluralistic world. Arkansas has long been defined by poverty and isolation born of the cashless frontier societies of the state's uplands and the agrarian barter economies that prevailed in the lowlands.55Morris Arnold, "The Significance of the Arkansas Colonial Experience," Arkansas Historical Quarterly 51 (Spring 1992): 7880. 'Cause I've waited my whole life. At the same time, the group evinces no interest in stylistic purity or generic fealty to a specific tradition, even as the album titleincluding the florid and flowing cover typographyframes their music as a filiopietistic missive from the old home place that is a staple of the southern gospel imagination.46While David Fillingim argues that "home" as a concept in southern gospel allows its participants to imagine and explore a flight from material hardship and social marginalization in this world (in favor of an eternal home of magnificence in heaven), my research suggests that in southern gospel "home" serves to give concrete, graspable shape to abstract theological concepts and spiritual experiences for ordinary Christians in the here and now. Such work is as welcome as it is needed. "Northern urban" gospel is the historical forerunner of today's Contemporary Christian Music (CCM). When she came out, Mark grabbed her arm and said, "You have to hear these kids sing!" Again: Continuing the Debate between Donald Dayton and George Marsden," in The Continued Relevance of Wesleyan Theology: Essays in Honor of Laurence Wood, ed. tippy('#footnote_plugin_tooltip_1524_1_34', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_34').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); For the past fifteen years or so, professional southern gospel groups, including The Martins, regularly dissolved and re-formed, or disbanded outright under the constant pecuniary strain of small crowds and even smaller free-will love offerings, and the upheavals these instabilities introduce into private life. In this way, CCM musicalized the desires of many conservative Christians to perceive themselves as culturally relevant.23David Stowe, No Sympathy For the Devil: Christian Pop Music and the Transformation of American Evangelicalism (Chapel Hill: University of North Carolina Press, 2011) notes that the poly-generic style that defined the emergence of CCM in the 1980s was linked with the politicization of Christian music as part of the broader mobilization of evangelicals and social conservatives (246248). The basic details provided here derive largely from The Martins's disclosures on stage, press coverage, conservations I have had with industry professionals, and my experience. Updated: June 20, 2015 Biography ID: 102744141 Joyce Rogers. Averyfineline.com, September 24, 2012, accessed October 1, 2013, http://averyfineline.com/2012/09/24/slouching-toward-pigeon-forge/. 1 (2008): 2758. The videos still air regularly on many local-access religious television channels, but sales today are largely driven through merchandizing at concerts, the Gaither, "Gospel hymns" refer to a repertoire of American sacred songs that "first appeared in religious revivals during the 1850s, but which flourished with the urban revivalism that arose in the English-speaking world in the last third of the nineteenth century and continued into the twentieth century." Is Joyce Martin. tippy('#footnote_plugin_tooltip_1524_1_56', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_56').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); A particular Arkansas primitivism merits attention here. "Mom and Dad both instilled that in us that if you had a talent to sing, you should get up. And both black and white gospel have "borrowed those aspects, reinterpreting them for their own cultures" and purposes. Southern gospel's negotiation of them has often manifested in overt racism or a way of thinking, talking, and singing that renders whiteness falsely normative. She has Angelman Syndrome and is the happiest girl you will ever meet. Recreational tourism is a cornerstone of Arkansas's economy and reputation.56For income distributions by state, see "Per Capita Income by State," Bureau of Business and Economic Research. Who is martin p joyce? The Martins are a Christian music vocal trio composed of three siblings: Joyce Martin Sanders, Jonathan Martin, and Judy Martin Hess. tippy('#footnote_plugin_tooltip_1524_1_54', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_54').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); connecting their identities, the group's history, and their Arkansas roots with the force of southern gospel music. Joyce Martin is a well known gospel singer. Joyce Martin McCollough . Joyce Martin Sanders Weight Loss In essence, we are an agricultural area. Finally, I'm grateful to The Martins and so many other southern gospel performers for making music that has held me in thrall and demanded to be taken seriously. Audiocassette. In the broadest sense, The Martins here evince how "the interaction of lyrics, music, and religious experience in southern gospel functions as a way for evangelicals to cultivate the social tools and emotional intelligence necessary for modern living." Moreton, Bethany. Trey is 20 and lives and works in Nashville only a few miles from his mom. Donations to Trinity Broadcasting Network are Tax Deductible to the extent permitted by law. But it also resonates with less militant but hardly less conservative evangelicalsmostly whitewho respond powerfully to its organizing themes: proud piety, traditionalist notions of family, and unapologetic sentimentality about evangelistic faith and religious community. See David Fillingim, "A Flight From Liminality: 'Home' in Country and Gospel Music,". Shearon, Stephen, Harry Eskew, James C. Cowney, and Robert Darden. Such an assumption would not be wholly unjustified.9The conflation of "southern" and "white" to describe this music circulates widely among scholars and non-specialists, but has only been tentatively stated in scholarship. These denominations were most frequently represented in original ethnographic research I have conducted into the contemporary culture of southern gospel. NQC's leadership recently announced that the event will take up residence in a regional conference center at Pigeon Forge, Tennessee.36Sheldon Shafer, "National Quartet Convention Ending Long Run in Louisville," Louisville Courier-Journal.com, September 3, 2013, accessed October 1, 2013, http://www.courier-journal.com/article/20130903/SCENE04/309030069/. : Gaither Music, 2011. The American Spirit: Who We Are and What We Stand For (2017) is a collection of McCulloughs speeches. 33 Southern gospel product sales Winter's Bone, set in the rural Ozarks, vividly portrays the psychosocial costs of geographical isolation, lack of economic and educational opportunity, and sense of cultural confinement associated with life in the deep woods of Ozark hill country. And that was actually the first time Bill heard us sing. Joyce Martin was married to Alton G. Martin on October 1, 1983 in Rockwall County, Texas. Fortunately, new and forthcoming work in the study of southern gospel is beginning to scrutinize Gloria Gaither's role as a Christian entrepreneur, thinker, and writer much more closely. Clearly this story of The Martins's beginning as Homecoming Friends is important to them because they are depicted in the narrative as so natively talented that Bill Gaither purportedly allows them to perform without ever having himself auditioned them. . Their continuing appeal has involved a narrative about their Arkansas identity as proof of authenticity as individual performers and for the genre of southern gospel. Gaither Homecoming is a popular series built on themed video recordings, live concerts, and a host of related residuals-generating merchandise.42In the 1990s and early 2000s, Gaither Homecoming was popular on the now-defunct TNN cable channel. Her story of brokenness and restoration encourages thousands on social media and from the stage. Taylor, Charles. 2014.grammys.criticized.as.political.stunt.to.push.gay.marriage.agenda.natalie.grant.responds.after.early.exit/35586.htm). July 30, 2013. http://www.religiondispatches.org/books/culture/6221/the_gospel_ church_and_the_ruining_of_gay_lives__an_interview_with_anthony_heilbut/. It was Mark, Mike, of course the three Martins, Gloria and two or three other people. Edit. To Serve God and Wal-Mart. See Robert K. Whalen, "Premillennialism,". Following the rapture is Tribulation, a seven-year period during which Anti-Christ reigns on earth, Millennium (during which time Satan is bound), and ultimately the establishment and eternal reign of Christ's kingdom. For a fuller discussion of "southern" as a racial signifier and readings of race and white gospel see Harrison, Following Harry Eskew's lead in the Grove Music entry for Gospel Music, Stephen Shearon uses "northern urban" gospel to designate commercial Christian music of and for primarily white Protestants that emerged in the late-nineteenth- and early-twentieth-century revivalism in urban areas outside the South. Christian vocalists The Martins Joyce Martin Sanders, Jonathan Martin and Judy Martin Hess perform at the Missouri Theater at 7:30 p.m. Feb. 17. Today's professional southern gospel includes many family and mixed gender foursomes and trios, configurations that were and are common in the singing convention world that dominated southern gospel in the late nineteenth century and early twentieth century. tippy('#footnote_plugin_tooltip_1524_1_60', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_60').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); What emerges in The Martins's interview echoes Anthony Harkins's observations about constructed hillbilly rusticity: "Middle-class white Americans [can] see these people [hillbillies] as a fascinating and exotic 'other' akin to Native Americans or Blacks, while at the same time sympathize with them as poorer and less modern versions of themselves. Key figures include. Modern Social Imaginaries. Nominated in the "Gospel/Contemporary Christian Music" category, CCM soloist Natalie Grant attended the ceremony, only to leave before the show ended. tippy('#footnote_plugin_tooltip_1524_1_43', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_43').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); The Martins first appeared in 1993 on an early Gaither Homecoming video, Precious Memories. CCM is a broad category built around religious songs that, to the uninitiated, can sound virtually indistinguishable from a cross-section of mainstream American adult contemporary and Top 40.20Within southern gospel, "CCM" designates nearly all other forms of commercial Christian music deemed insufficiently pious or overly commercialized (marketed in ways different from southern gospel). It's a new day for Southern Gospel. I Love to the Tell the Story: 25 Timeless Hymns, won a 1996 Grammy for Best Southern Gospel, Country Gospel, or Bluegrass Gospel Album. tippy('#footnote_plugin_tooltip_1524_1_5', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_5').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Among these people, "the term southern gospel," as I have noted elsewhere, "was not used to describe the music [in its professional, commercialized form] until the 1970s and did not gain widespread use until the 1980s. Professional black gospel, which has a historically longstanding relationship with African American worship traditions to a much greater extent than commercial white Christian music has with white Protestant churches, has remained creatively vibrant. He just finished getting a tech degree in musical engineering. Joyce Martin Sanders lives in Nashville, Tennessee with her husband Paul, and she has two children. The MartinsJoyce Martin McCullough, Judy Martin Hess, and Jonathan Martingrew up in Hamburg, Ark., (pop. Christ's return coincides with the rapture of living Christians and the raising of the righteous dead to heaven. She tells Bill, "you have to hear these kids sing." Douglas Harrison is Associate Professor of English and Assistant Director of the Center for Faculty Innovation at James Madison University. Judy Martin Hess (b. Michael actually took us there and Mark and Mike tried to figure out a way for Bill [Gaither] to hear us sing. Mike Joyce was born February 12, 1941, in Detroit, MI, USA. Although the male quartet continued to dominate southern gospel's self-image, the genre as a commercial enterprise became home for strains of more traditional white evangelical vernacular sacred musics, including explicitly pietistic bluegrass and country gospel. Not least of all, The Martins's success has relied on the popularity within southern gospel of what I have referred to as backwoods virtuosiup-from-nothing children of the white US South able to create and perform distinctive arrangements of gospel songs and hymns whose lyrics are, as most southern gospel is, suffused with first-person struggles of ordinary Christians, striving after, struggling for, and faithfully pressing on toward greater assurance of belief and affirmative experience of the divine in their lives.48On backwoods virtuosi, see Harrison, "Grace to Catch a Falling Soul." 3,147) where they became a popular regional Christian music act. "13Harrison, Then Sings My Soul, 103. tippy('#footnote_plugin_tooltip_1524_1_13', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_13').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Consequently, in what follows, "southern gospel" stands as shorthand for professional, commercialized white gospel from, or culturally aligned with, the evangelical fundamentalist South. These congregations structured worship, congregational culture, and church outreach to target "those who had never established a relationship with Christ and the Church, and those trying to reconnect" (Lester Ruth, "Lex Agendi, Lex Orandi: Toward an Understanding of Seeker Services as a New Kind of Liturgy," Worship 70, no. Broadcasting Since 1973. Southern gospel performers often emulate black gospel styleincluding arrangements, vocal techniques, and use of choirs as backing voices. Taylor's development of the social imaginary builds on (but also departs from) Benedict Anderson, Imagined Communities (London: Verso, 2006). More at IMDbPro Contact Info: View agent, publicist, legal on IMDbPro. Winter's Bone. The Martins's performance of pious authenticity plays out in public in ways that take common celebrity narratives (the underdog or, as in the story below, the innocent) and recodes them within the logic of the Arkansas imaginary. This movement was popular among (though not exclusive to) non-denominational evangelical megachurches. Blevins, Brooks. The videos still air regularly on many local-access religious television channels, but sales today are largely driven through merchandizing at concerts, the Gaither Homecoming Magazine, syndicated radio shows on terrestrial and satellite radio, and not least of all through the Gaither online store. Between highlights, Bill Gaither interviews Joyce, Judy, and Jonathan,54The interviews are actually excerpts taken from long conversations filmed in a homey setting in which The Martins sit side-by-side on a large couch facing the camera and Bill Gaither sits in an overstuffed armchair to the right of the frame. "38Pamela Fox, Natural Acts: Gender, Race, and Rusticity in Country Music (Ann Arbor: University of Michigan Press, 2009), 7. In addition to these sources, my own use of social imaginary theory is indebted as well to Cornelius Castoriadis, The Imaginary Institution of Society (Cambridge: MIT Press, 1998). The history and role of bluegrass, old-time, and mountain musics, particularly songs with pietistic lyrics that have found a home in southern gospel, is understudied. Joyce Martin is married to Paul Michael Sanders, who has had periodic jobs as a southern gospel singer. The Willow Creek megachurch, under the leadership of Bill Hybels, is the most prominent example of a seeker-sensitive church. . There is an associationalas opposed to primarily musicallogic to this appeal that tracks with broader "patterns of cultural experience and affiliation." Pamela Fox has noted that "while academia has for the most part abandoned the authentic as any kind of meaningful analytic category," the vernacular music of southern, white, rustic life and experience has "tended to preserve it. "Fundamentalism" indicates evangelicals for whom militancy in resistance to liberalism is the defining feature of lived religion.22George Marsden, Understanding Fundamentalism and Evangelicalism (Grand Rapids: Eerdmans, 1991), 15. In cultural geography, "sense of place" refers to the feelings and emotions a place evokes and that help constitute it.14Tim Cresswell, Place: A Short Introduction (London: Wiley-Blackwell, 2004), 169. tippy('#footnote_plugin_tooltip_1524_1_14', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_14').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); More than just feelings or emotions, such sense of place encompasses perceptions, assumptions, and habits of thought and behavior of people who are part of a place. May 19, 1970) lives in Clive, Iowa with his wife Dara Makohoniuk-Martin and their youngest three of six children, including twin boys, one of which has cerebral palsy. "Home" functions primarily in southern gospel as a meaning-making tool for experience in this life, not the next. tippy('#footnote_plugin_tooltip_1524_1_31', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_31').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); It is in this tradition of pietistic, blood-bought, soul-saving, life-giving harmony of the one true way to Christ that The Martins were raised and trained.32For more on The Martins's biography, see the following section and note 41. tippy('#footnote_plugin_tooltip_1524_1_32', { content: jQuery('#footnote_plugin_tooltip_text_1524_1_32').html(), placement: 'bottom', theme: 'sosp', arrow: false, allowHTML: true }); Their success in the late 1980s and early 1990s coincided with the resurgence of cultural separatism that has come to dominate southern gospel discourse.33This element of cultural separatism has reemerged in the past generation within southern gospel.
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